There was an idea late in pre-production to shoot Civil War entirely with the Alexa 65, but we were so close to our start date and it was such a large-scale undertaking, to use it for this key sequence, and use it as the testing ground for Avengers: Infinity War Parts 1 and 2, which will be shot completely with those cameras.Īdditionally, key grip Michael Coo developed a bungee rig system Mark Goellnicht, our ‘A’ camera operator, used a similar system on Mad Max: Fury Road … Basically, it’s a long bungee tube attached to a rope that will run up 30 or 40 feet - we suspend that line over the set. Opaloch went on to say about the ARRI Alexa 65, I’m starting up prep on the new Infinity Wars films that we’re shooting back to back with the Russo’s later this year, and the scale of those two films combined is a bit mind blowing, so it’s good that these last two films have ramped up in terms of scale and complexity, because each one prepares you for the next.

to maintain some cohesiveness to the scene. The tough thing is that you can end up shooting someone’s close up in another country, weeks after you’ve shot the other side of the conversation, so it’s always a challenge dealing with changing weather conditions, etc. There were a ton of actors on this film and that was actually quite challenging - to shoot them all with their crazy schedules. We were also very fortunate to work with a great German crew in Berlin that made our transition over there very smooth. In a piece on Talking with Mark Toffolo, DP Trent Opaloch speaks about the large international scale of the film, Panavision C-, E-, G-, T-Series, ATZ and AWZ2.ARRI Alexa 65 IMAX (airport and additional scenes).

Marvel 10 year anniversary photo 4k